就在上个月15号，中国网络视听节目服务协会，发布了《网络短视频内容审核标准细则》。简单来说，就是明令禁止了各种未经授权自行改编和剪辑影视剧和**的片段的，这对于绝大多数的影视剧二创UP主来说，称得上是沉重打击。
对于影视类二创视频来说，主要的工作就是对于原视频的加工，主要成本在于对视频的剧本文案进行加工，对配音进行棒读或者是交给AI。这样的视频绝大多数都没有经过原版授权，再加上一个UC式的标题，便能够吸引到不错的流量。但随着该细则的发布，整个影视解说都将会迎来一次版权风暴的洗礼，从长远来看，对于影视内容版权的正规化显然是有益的。
而影视类二创作品能够走红，也是目前市场的选择。对于很多观众来说，欣赏一部国外**是需要付出不小的时间成本和艺术门槛的。这些二创作者对于影视作品进行拆解，剥离艺术本身，将内容进行主观化，经过“咀嚼”告诉了观众剧情梗概，这在很大程度上降低了欣赏的门槛，让更多的人知道了这部作品，却也无法更进一步去进一步了解这部作品。因为你了解到的一切，都是二创作者灌输给你的。
《海上钢琴师》最后主角的独白，**里说了5分钟，但主角是断断续续说的，我试了下，正常语速3分钟可以说完
All that city. You just couldn't see the end to it. The end? Please? You please just
show me where it ends? It was all very fine on that gangway. And I was grand too, in
my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There was no
problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. You
understand that? What I didn't see. In all that sprawling city there was everything
except an end. There was no end. What I did not see was where the whole thing came
to an end. The end of the world...
Take a piano. The keys begin, the keys end. You know there are eightyeight of them,
nobody can tell you any different. They are not infinite. You are infinite. And on
these keys the music that you can make is infinite. I like that. That I can live by.
You get me up on that gangway and you're rolling out in front of me a keyboard of
millions of keys, millions and billions of keys that never end, and that's the
truth, Max. That they never end. That keyboard is infinite. And if that keyboard is
infinite, then on that keyboard there is no music you can play. You're sitting on
the wrong bench. That's God's piano.
Christ! Did, did you see the streets? Just the streets… There were thousands of
them! And how do you do it down there? How do you choose just one? One woman, one
house, one piece of land to call your own, one landscape to look at, one way to
die...
All that world is weighing down on me, you don't even know where it comes to an end,
and aren't you ever just scared of breaking apart at the thought of it? The enormity
of living it?
I was born on this ship, and the world passed me by, but two thousand people at a
time. And there were wishes here, but never more than fit between prow and stern.
You played out your happiness, but on a piano that was not infinite. I learned to
live that way.
Land? Land is a ship too big for me. It's a woman too beautiful; it's a voyage too
long, a perfume too strong. It's a music I don't know how to make. I could never get
off this ship. At best, I can step off my life. After all, I don't exist for anyone.
You're an exception, Max, you're the only one who knows I'm here. You're a minority,
and you better get used to it. Forgive me, my friend, but I'm not getting off.
译文：
所有那些城市，你就是无法看见尽头。尽头？拜托！拜托你给我看它的尽头在哪？
当时，站在舷梯向外看还好。我那时穿着大衣，感觉也很棒，觉得自己前途无量，然后我就要下船去。放心！完全没问题！可是，阻止了我的脚步的，并不是我所看见的东西，而是我所无法看见的那些东西。你明白么？
我看不见的那些。在那个无限蔓延的城市里，什么东西都有，可惟独没有尽头。根本就没有尽头。
我看不见的是这一切的尽头，世界的尽头。
拿一部钢琴来说，从琴键开始，又结束。你知道钢琴只有88个键，随便什么琴都没差。它们不是无限的。你才是无限的，在琴键上制作出的音乐是无限的。我喜欢这样，我活的惯。
你把我推到舷梯上然后扔给我一架有百万琴键的钢琴，百万千万的没有尽头的琴键，那是事实，max，它们没有尽头。那键盘是无限延伸的。然而如果琴键是无限的，那么在那架琴上就没有你能弹奏的音乐，你坐错了地方，那是上帝的钢琴。
天啊！你……你看过那些街道吗？仅仅是街道，就有上千条！你下去该怎么办？你怎么选择其中一条来走？怎么选择“属于你自己的”一个女人，一栋房子，一块地，或者选择一道风景欣赏，选择一种方法死去。
那个世界好重，压在我身上。你甚至不知道它在哪里结束，你难道从来不为自己生活在无穷选择里而害怕得快崩溃掉吗？
我是在这艘船上出生的，整个世界跟我并肩而行，但是，行走一次只携带两千人。这里也有欲望，但不会虚妄到超出船头和船尾。你用钢琴表达你的快乐，但音符不是无限的。我已经习惯这么生活。
陆地？陆地对我来说是一艘太大的船，一个太漂亮的女人，一段太长的旅行，一瓶太刺鼻的香水，一种我不会创作的音乐。我永远无法放弃这艘船，不过幸好，我可以放弃我的生命。反正没人记得我存在过，而你是例外，max，你是唯一一个知道我在这里的人。你是唯一一个，而且你最好习惯如此。
原谅我，朋友，我不会下船的。
