**《人工智能》的主演为裘德·洛、海利·乔·奥斯蒙特。
裘德·洛1972年12月29日出生于英国伦敦，英国演员、制片人、导演。
1990年裘德·洛在电视剧《家庭》里出演角色。1994年，出演首部**《Shopping》 。1999年，裘德·洛出演了安东尼·明格拉执导的**《天才雷普利》，获得了第72届奥斯卡奖最佳男配角提名 。2001年，他主演了战争片《兵临城下》以及史蒂文·斯皮尔伯格执导的科幻**《人工智能》。2004年，他凭借**《冷山》获得第76届奥斯卡金像奖最佳男主角提名；同年担任第76届奥斯卡奖颁奖典礼的颁奖嘉宾 。
2009年，出演**《大侦探福尔摩斯》，饰演华生医生。2011年，担任第64届戛纳**节评委。2013年，主演由美国导演韦斯·安德森导演的喜剧**《布达佩斯大饭店》 。
海利·乔·奥斯蒙特（Haley Joel Osment），1988年4月10日出生在美国加利福尼亚州洛杉矶，美国童星演员。
海利四岁为必胜客拍摄广告，使他第一次登上银幕。 1994年参演第一部**《阿甘正传》，并凭借此**获得青年明星奖和青年艺术家奖，而为人所熟知。1999年凭借主演**《第六感》获得一项金球奖和奥斯卡金像奖的提名以及MTV**奖、土星奖等其他十一项奖项。 2002年在《人工智能》中主演智能机器人，再次获得土星奖以及其他四项奖项提名。2007年，他进入纽约大学选修艺术表演类，于2010年毕业，并重返演艺圈，投入演艺事业。
《人工智能》是由华纳兄弟影片公司于2001年拍摄发行的一部未来派的科幻类**。由史蒂文·斯皮尔伯格执导，裘德·洛、海利·乔·奥斯蒙特主演。
影片讲述21世纪中期，地球上很多城市都被淹没在了一片汪洋之中，人类的科学技术已经达到了相当高的水平，人工智能机器人出现后的故事。
中文名 人工智能
外文名 AI( Artificial Intelligence)
其它译名 AI人工智慧
出品公司 梦工厂
发行公司 梦工厂**发行公司
制片地区 美国
制片成本 $90,000,000 （estimated）
拍摄日期 2000年8月17日 - 2000年11月18日
导演 史蒂文·斯皮尔伯格
编剧 史蒂文·斯皮尔伯格
类型 剧情/科幻/冒险
主演 裘德·洛，海利·乔·奥斯蒙特
片长 146分钟
上映时间 2001-06-26（美国）
分级 USA:PG-13
对白语言 英语
色彩 彩色
imdb编码 tt0212720
主要奖项 奥斯卡奖-最佳配乐
在线播放平台 1905**网
求**《人工智能》的英文简介
《人工智能》是继《现代启示录》之后最无畏的好莱坞**。
任何**学者都想不到斯皮尔伯格会成为库布里克的继承者，就如同奥逊·威尔斯不可能与华特·迪士尼合作一样。
这部**是关于人工智能的**中较为好的，把人工智能加入了人类的感情。《AI》是为了让我们人类更加理解和爱这些未来的人工智能，影中的科技和时代背景远远凌驾了故事本身。
《人工智能》并不讨影评人的好，尤其是那些喜欢库布里克**的人。不说别的，就说这剧本，上来就被斯皮尔伯格咔嚓掉了一半，本来机器舞男Joe和David一样，是一个同等地位的主角，变成了个可有可无的配角，主题就丢了一半；再加上结尾竟然还来了个画蛇添足似的童话抒发，影评人不扁它才怪。
**《人工智能》英文名？
AI - Artificial Intelligence" is the hardest kind of movie to review-but it's also the most enjoyable kind of movie to watch It's been over three weeks since my screening of Steven Spielberg's emotionally harrowing epic about a robot boy Before writing my review, I wanted to let its themes, content, and characters sink into my head and make a solid impact The film was based on an idea by Stanley Kubrick, but when he died in 1999, Speilberg took charge of the project I could spend pages discussing the techniques of Kubrick's intentions and Spielberg's decisions, but I will not Stanley Kubrick and Steven Spielberg are two of the greatest directors American cinema has to offer; it's pure pleasure watching their ideas clash and flow I am not going to examine each individual theme here, either That would ruin the movie for you
"AI - Artificial Intelligence" presents many themes on screen, but it's important to take what you get out of it Whenever I read a review of Kubrick's "A Clockwork Orange" or "2001: A Space Odyssey" I feel influenced by the reviewer's interpretation of the movie's themes Every time I watch either of those movies I get something new out of it I hate it when other critics state the movie's themes on paper as if it's a fact There is far too much room for interpretation to reveal this movie's message, or the message of any Kubrick film for that matter Ask 100 people, and you might get 100 different answers "AI - Artificial Intelligence" is that kind of movie-one of the year's best
Critics and audiences alike have torn apart this movie's ending-a clear miscalculation by Spielberg If Kubrick were in charge, the movie would have called it quits about twenty minutes earlier in an unsettling sequence that takes place in the ocean But Speilberg, who always seems entranced by science fiction, injects an additional segment into the mix that does not work quite as well, but isn't so completely awful that it deserves such harsh criticism It still leaves us with an open, startled emotional disorientation I left the theater with tears in my eyes The movie before the conclusion is so complex, moving, and involving in so many different ways the last twenty minutes didn't even come close to spoiling the movie for me
"AI" transpires sometime in the near future after the polar ice caps have melted and flooded coastal cities and reduced natural resources Mechanical androids have become popular since they require no commodities Reproduction has also become highly illegal Machines provide sexual services and if anyone wants a child, they will purchase a robot However, the difference between a robot child and a living child is that robots cannot love That's the task professor Hobby (William Hurt) of Cybertronics Manufacturing has solved He has made a robot child that can love
We can separate "AI" into two separate segments I do not want to reveal too much about each plot because the pleasure of watching this movie evolves from the revealing of the connecting plots I will, however, briefly say the first details a robot child's interaction within a family, and the second deals with the robot's estrangement from its family and the quest to regain the mother's love
I can imagine the material in Kubrick's hands The movie's opening scene has a female robot begin to undress in a public office Speilberg cuts the action before she reveals any explicit nudity Kubrick would have had various shots of full frontal nudity Spielberg, never comfortable with sexual material, leaves out much of the motivation behind Kubrick's ideas One of the biggest problems in "AI" is the lack of edge with the sexual content Jude Law plays a robot gigolo who lives in a sex fantasy called Rouge City where people from everywhere come to seek sexual satisfaction The central character, a robot boy played by Haley Joel Osment, motivates every action in the story except for the scenes in Rouge City Why contain such a perverse character and setting when his entire existence simply displays a mood that has already been well established Obvious, the filmmakers toned the aspects of "AI" down to warrant a gutless PG-13 rating-but why The movie isn't appropriate for children anyway, and it's far too complex Undoubtedly if Kubrick were in charge "AI" would have to be re-cut to avoid an NC-17 rating Spielberg should have either taken advantage of the perverse material or completely eliminated it
Here I am, doing exactly what I said that I wouldn't do, and at nearly 900 words, I still have not clearly expressed my own opinions on the film I have many notes in front of my that display my reaction as I watched the film, but I am not going to use them-they reveal too much about the movie "AI" is a very personal film, a deeply moving, scientific, careful, and harrowing motion picture that displays startling talent on screen and behind the scenes The special effects are extraordinary The performances are alarming-the immensely talented Haley Joel Osment may once again be up for an Academy Award nomination Go see the movie, then talk about it with others It's the kind of film that you can spend hours thinking about, then go see it again
《人工智能》（英文名《AI: Artificial Intelligence》）
斯皮尔伯格继承大师库布里克遗志，拍摄了这部未来派的科幻史诗影片，裘迪劳和第六感小神童奥士文的机器人造型颇为神奇。
故事发生在二十一世纪，地球因温室效应而令冰山溶化，许多沿海城市被水淹没，人类只有依靠电脑的人工智能来维持生命，同时人类也应用具有人工智能的机器人作各种不同的用途。在其中的一个家庭，一对人类父母收养了小机器人大卫（凯利祖奥士文）作为他们的儿子，给他真人一样的生活。而大卫在人类中长大，开始了一段非比寻常的心路历程…
本片是导演监制于一身的斯皮尔伯格根据**大师史丹利库布里克生前所留下的八十页剧本改编而成的。影片的故事有点儿象童话皮诺曹的现代科幻版，和2年前罗宾威廉斯的《两百年人》（Bicentennial Man）也有几分相似。而片名 AI 是 Artificial Intelligence 的缩写，就是人工智能的意思，影片的全名也应该是 AI: Artificial Intelligence。
斯皮尔伯格自98年的《拯救大兵瑞恩》后就一直在犹豫他的下一部作品，他手头的计划包括《艺妓回忆录》(Memoirs of a Geisha)、《印地安那琼斯第四集》(Indiana Jones 4)和《少数派报告》(Minority Report)等。但由于和他有20年交情的库布里克于1999年突然去世，《大开眼界》(Eyes Wide Shut)在无奈中带着一丝遗憾成了大师的绝响，而大师生前最后一个计划也就是本片《AI》暂时搁浅，这一突变使得斯皮尔伯格把本片列入了他的计划之中。
斯皮尔伯格于去年初决定继《侏罗纪公园》后再度挑战科幻题材的影片，其中包括向老友致敬的这部《AI》和汤姆克鲁斯期待多时的《少数派报告》，两部影片到底谁先胜出一度成了影迷茶余饭后的最佳话题。经过数度周折，斯皮尔伯格最终选择了这部他从未尝试过的未来派风格的科幻史诗影片《AI》。(以上均为网络转载）
对本部科幻经典的一切评价都显得苍白空洞，个中寓意万千，只可自己身受。
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